Shure KSM141/SL | Studio Instrument Microphone

Shure KSM141/SL Studio Instrument Microphone Overview

A premium end-address condenser mic, the Shure KSM141/SL Studio Instrument Microphone features mechanically switching dual polar patterns (cardioid and omnidirectional) which provide flexibility in a range of applications. Ideal for recording musical instruments but dynamic enough to be used live, the KSM141/SL has an extended frequency response with low-self noise and can handle remarkably high SPLs.

Extended frequency response
Low self-noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode
rejection and suppression of radio frequency interference

A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns provides flexibility in a wide variety of recording applications.
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response.
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion.
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Low self-noise
Exceptional reproduction of low-frequency sounds
Superior common mode rejection and suppression of RFI (radio frequency interference)
Great for Close miking of acoustic instruments such as piano, guitar, violins, drums, and percussion;
Overhead miking of drums and percussion instruments; Electric guitar amplifiers; Brass and woodwind instruments; Room ambience pick-up (guitar amplifier or drums); Orchestras, choirs, wind ensembles; Low-frequency instruments such as double bass and kick drum
A141C Carrying Case, A100WS Windscreen and A57F Stand Mount included with this microphone

Cartridge Type: Permanently Biased Condenser
Frequency Response: 20-20,000 Hz
Directional Polar Pattern: Cardioid/Omnidirectional
Output Impedance: 150 Ohms (actual)
Attenuation Switch: 0 dB,15 dB, or 25 dB attenuation
Low Frequency Response Switch: Flat; -6 db/octave below 115 Hz; -18 dB/octave below 80 Hz
Phantom Power: 48 Vdc /- 4 Vdc (IEC-268-15/DIN 45 596), positive pins 2 and 3
Current Drain: 4.65 mA typical at 48 Vdc
Common Mode Rejection = 50 dB, 20 Hz to 20 kHz
Polarity: Positive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3
Dimensions and Weight: 20 mm (0.8 in.) diameter, 146 mm (5.75 in.) long; 156 grams (5.5 oz.)
Sensitivity (typical, at 1000 Hz; 1 Pa = 94 dB SPL): -37 dBV/Pa
Self-noise (typical, equivalent SPL; A-weighted, IEC 651): 14 dB
Maximum SPL at 1 kHz: 5000 Ohm load (Attenuator on): 145 (160, 170) dB, 2500 Ohm load (Attenuator on): 139 (154, 164) dB, 1000 Ohm load (Attenuator on): 134 (149, 159) dB
Output Clipping Level: 5000 Ohm load: 15 dBV, 2500 Ohm load: 9 dBV, 1000 Ohm load: 3 dBV
Dynamic Range: 5000 Ohm load: 131 dB, 2500 Ohm load: 125 dB, 1000 Ohm load: 120 dB
Signal to Noise Ratio: 80 dB

Stagg SMC6 XLR Microphone Cable 6m/20ft, Black

In stock

£9.00 £9.20

Stagg SMC3 XLR Microphone Cable 3m/10ft, Black

In stock

£6.00 £6.30

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